Pictures at an Exhibition shares its title with a celebrated piano suite composed by Modest Mussorgsky in 1874, whose movements interpret a sequence of paintings. Likewise, Sze’s installation bridges diverse modes of media, perception, and sensorial experience. Juxtaposing natural imagery and abstract forms, the dynamic work is structured through spatial and temporal montage. Rapid, orchestrated transitions between fragments and whole images coalesce into constellations of larger cohesive forms. A collection of fleeting moments, from the personal to the universal, the momentous to the mundane, flashes by, held in an exquisite equilibrium. The cycles of constantly transforming imagery are both spectacular and ephemeral, foregrounding the nature of digital representation and the shifts in perception, memory, and desire accompanying its ubiquitous presence.

The installation is presented alongside a new series of paintings in which Sze applies her signature visual language throughout the building, including the gallery’s interstitial spaces, an exterior-facing vitrine on street level, and the first floor. Working through a generative process, Sze combines acrylic and oil with layers of photographic prints that are collaged to the works’ surfaces. Incorporating accumulated fragments of images into disorienting gestural compositions, Sze develops new modes of abstraction in her paintings that collapse distinctions between digital and analog, tactile and immaterial, and physical and imagined.